Best VST EQ DAW plugins 2023
Best and most recommended VST EQ plugins for 2023. We tried to come up with an ultimate list of EQ VSTs. Check the list and find the best EQ plugins for your music project. All positions include download links and video presentations.
With 2023 there are a bunch of EQ plugins that can drastically change the way you produce music. We’ve tried to choose only the best EQ vst for you so you won’t have to waste your time and money.
List of best VST EQ DAW plugins in 2023
Picking the right EQ plugin for your music production might be a tricky task. With all the choices available how can you be sure you get the right VST EQ for your DAW?
Our list of best VST EQ plugins will help you make the right decision. All the listed plugins are industry standard tools. Tested and tried by worlds best engineers.
Remember, when choosing best VST EQ plugin for your project try to listen to the audio examples below and see if it’ll fit your genre/setup. Not all of EQ are the same, some of them have a very specific sound or controls to achieve certain sound. I really hope that our list of best VST EQ will help you make the right decision.
The EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass/Low Pass filters, and its own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision are key.
Current values are clearly displayed for all parameters, and precise values can be entered. Each EQ section may be individually bypassed. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.
Following up the release of their powerful saturation EQ Fatmaker, Singomakers are back with a brand-new precision equalizer, Crystal EQ. Designed for creating clean and bright mixes & masters, the Crystal EQ is a one-stop EQ for cleaning up your drums, vocals and instruments to get them sitting perfectly in the mix.
Crystal EQ features four adjustable frequency bands for precise equalization, as well as a high-pass and low-pass filter for additional EQ control. Add low end punch to your drums, top end clarity to your vocals or create complex automated filter FX in just a few quick sweeps.
The vintage interface of Crystal EQ gives that classic feel of a vintage outboard EQ, whilst delivering the precision and control of the digital domain, making it a delicate and precise tool for mixing and mastering
The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of the original hand-crafted unit owned by iconic producer/engineer Jack Joseph Puig (U2, Rolling Stones, Lady Gaga) and heard on dozens of popular recordings by Weezer, Black Crowes and many more.
The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full range vintage EQ chain.
FabFilter Pro-Q 3 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them, enable dynamic EQ for any band, and select and edit multiple bands at once.
Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more.
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!
A new and improved version of Black Q. V2 now features overlapping bands and new frequency ranges as well as oversampling for more “analog” behaviour.
Tone Empire recently brought a vintage unit to life by building the hardware version over 6 months, changing tubes, transformers and signal paths.
TYPE A gives you a great “FULL” sound including a “Big” Low end and TYPE B gives you a crunchier mid/high enhanced sound.
These choices make it possible to use this EQ on a variety of sound materials from Drums to Vocals, Piano, String Instruments, Bass, Synths and as a mastering unit itself.
The next part was to make this plugin as processor efficient as possible so it could be used as a tracking plugin with very low latency and also allow one to run multiple instances of it effortlessly.
In Black Q Version 2, Tone Empire have also introduced ” OVERSAMPLING “. Now it has up to 8x oversampling option if your system can take that CPU LOAD, Select your oversampling choice to get the more ” ANALOG ” Sound.
Free Mastering Chain Cheat Sheet
Improve your mastering with our Mastering Chain Cheat Sheet!
A step by step guide including plugins downloads.
DOWNLOAD PDFTDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi-parametric filter bands.
SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high-quality analogue audio gear, up to more obvious saturation.
An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. “internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing.
TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver exceptional musical flexibility and audio fidelity.
Behind an intuitive user interface hides as a staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access overtone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.
All filters except HP and LP operate in a parallel EQ configuration. The EQ bands, in particular, include an elaborate nonlinearity inspired by the musically beneficial side effects found in inductor filter technology. An effective auto gain mechanism automatically compensates for changes of perceived loudness while operating the EQ and last but not least, semi-intelligent signal analysis options allow matching the input signal’s spectrum against a pink noise reference or automatically setting the HP and LP filters according to the signal’s audible bandwidth.
Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?
Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. 5 bands of the ultra-musical Type-3 EQ curve can be overlapped to bring unparalleled control and characteristic Sonnox transparency to your single sources, instrument groups and 2-bus alike.
The Dynamic EQ introduces unique features such as the option to engage the effect by onset (transient) detection – very useful when working with drums and percussion. Additionally, mid-side processing can be used to enhance a vocal without affecting side-channel balance or to open up a mix by focusing low-end energy in the centre.
This highly-tweakable space-carving capabilities of the Dynamic EQ will be a welcome addition to your mixing arsenal.
Fatmaker is not just a regular equalizer, it's a multiband saturator mixed with different processing chains for each band and a powerful equalizer created for the best mixing and mastering results!
It works perfectly on Synths, Drums, Basses and Vocals!
Fatmaker has already been championed by professional Sound Engineers and A-list Producers from all over the world. We are sure you will enjoy it too!
The EVE-AT1 is an equalizer modelled after the classic Neve* 1081. Add oomph, remove muddiness, give vocals a husky treatment, increase presence, remove rumble, and add character to any tracks, or a mix just before final mastering.
The Kuassa EVE-AT1 is an EQ inspired by the design of the legendary Neve* 1081 that is known for its clear, smooth, and very musical characteristics. We are thrilled by the sound and present this EQ as a modern tribute to one of the most influential audio tools ever created.
EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 possesses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 implements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-around utility.
Based on the 1967 classic, the API 560 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. The API 560’s curve shaping potential is unmatched, while API’s unique “Proportional Q” design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. And since boost and cut characteristics are identical, previous actions can be easily undone. For precision equalization with unmatched versatility, turn to the EQ heard on top recordings for decades: the API 560.
If you’re confused about audio mastering
here’s some help…
New and Proven Audio Mastering Course That Guarantees Results in an Easy to Follow Way.
Other plugin lists
